Camera Rentals
RED EPIC CAMERA PACKAGES AVAILABLE NOW. RED EPIC CAMERA SPECS INCLUDE: MASSIVE 5K RAW RESOLUTION SENSOR * FULL 5K RESOLUTION UP TO 120 FPS * MAGIC OF FLUT COLOR SCIENCE AND REDCODE * UP TO 18 STOPS OF DYNAMIC RANGE WITH HDRx & MAGIC MOTION * 5120 x 2700 RESOLUTION * SUPER COMPACT AND PORTABLE 6 LB BODY * WIRELESS MODULE FOR H264 STREAMING TO IPADS AND IPHONES * PROXY MODULE FOR IMMEDIATE GENERATION OF H264 PROXIES WHILE SHOOTING
ARRI FF4 Follow Focus
The FF-4 follow focus is the industry workhorse and has already proven itself on countless tough shoots all over the world. The FF-4 is one of the most robust motion picture accessories ever built. This is a complete follow focus system for use with film and cine-style lenses. Gear ratio is appropriate for a wide range of lens barrel sizes.
Red Mattebox
COMING SOON, we will stock all of our kits with RED’s upcoming future generation designed mattebox. The TONACI team had a chance to see this mattebox at RED DAY VEGAS and came away very impressed. We feel this will be a great addition to our existing ARRI matteboxes. This will be available in clip on and 19mm rod configurations.
O’connor 2060 HD Fluid Head 150MM Bowl
This workhouse fluid tripod head features OConnor’s stepless, ultra-smooth pan & tilt fluid drag. It is designed to give you the ultimate control and stability for your Red camera shooting. Featuring OConnor’s patented sinusoidal counterbalance system for true, accurate balance at any point in the tilt range. Handles camera configurations up to 65lbs.
Ronford Tall Tripod Legs, Baby Legs & Spreader
For support, every feature film rental kit comes standard with rugged Ronford 150mm aluminum tall legs, Ronford 150mm aluminum baby legs, aluminum spreader and 150mm bowl hihat. For those projects who prefer run-n-gun style shooting we also offer lighter weight Sachtler Aluminum tripod legs with rubber spreader.
Red Pro Primes
Red Pro Primes are “RED-centric”, which means that the light path is optimized for maximum resolution and consistent illumination (from center to edge of field (5K), with minimum breathing for the Mysterium sensor family. These primes have a T-stop range is 1.8-22, image circle of 32mm and 110mm front diameter. If you desire to have Arri/Zeiss lenses just let us know and we’ll make sure you get what you need.
Pl Mount Cinema Zoom Lenses
For feature films, the Angenieux Optimo 24-290mm zoom is a workhorse. We also carry the super wide 11-16mm Tokina Pl Mount lens, Red Pro 18-85mm T2.9 Zoom (which cuts very well with the Red Pro Primes) as well as a Cooke 25-250mm T3.9 Mk1 Zoom. If there are any other specialty lenses you need, just let us know and we’ll try our best to get it for your project.
Marshall 17″ HD-SDI Production Monitor
The Marshall Electronics V-R171-IMD-HDSDI is a 17″ 16:9 LCD featuring 1920 x 1200 resolution which is perfect for both the Red One and upcoming Red Epic HD output. The Monitor’s image quality is preserved over the gamut of HD and SD formats using a sophisticated scaling technology, preserving the signal with very little distortion.
Red Edition Actioncam Steadicam Stabilizer
The ActionCam® is camera stabilization at a new approach featuring the first truly modular stabilizer concept. This steadicam is designed for the Digital Cinema Cameras REDone (and based on the known specifications – for the upcoming Epic models) and uses some of the basic accessories of the the RED camera.
